MESA features pulses ranging organic to electronic to bring movement and drive to your scores. These are sample banks you can select and change its key range by simply following the color coded key you want your arrangement to be in!
482 low noise, zero latency6, static and dynamic filter shapes. Steepness between 6 and 96 dB/Oct. Shelving and peaking filters can be static or dynamic. Dynamic filters can compress and expand. Zipper-noise free adjustment of gain, frequency, and Q. Audition mode to isolate affected frequency range.
Polestar – XL1, 2CD 73:05+72:40 – Instruments, – loops, fills, fx – techno * alternative * familiar – all-in-one for starters
Dive into the magic of “Card Game 2” your go-to sound library for crafting immersive game worlds. Imagine the thrill of epic battles and the strategic depth of magical card games, all enhanced with over 800 meticulously designed sound effects. This collection covers everything from the crackle of Fire Sigils to the subtle whispers of ancient spells, each effect available in multiple variations to keep your game’s audio fresh and engaging. With organized categories like user interface sounds, card movements, gameplay actions, and magical spells, you’ll find exactly what you need without the hassle. Designed for card games, RPGs, and fantasy adventures, “Card Game 2” is packed with sounds that are ready to drop into your project, making it easy for both seasoned sound designers and newcomers to create a captivating audio experience. Inside you’ll get to explore relatable and charming sounds in fantasy card game style like user interface, HUD, transitions, lobby sounds, card movements, gameplay actions, spells, magic, alerts, achievements, shuffles, timers and character/card abilities. Each sound has been carefully crafted to enhance the gaming experience, whether you’re working on card games, RPGs or fantasy adventures. Each sound includes three to five variation files per set: soundsets are a collection of similar or related sounds that are designed to add variety and realism to the soundscape of the game. By using different variations of similar sounds, game sound designers can prevent the repetition of the same sound over and over, which can quickly become boring and detract from the player’s immersion.
Helix® Native delivers the power and tonal authenticity of award-winning HX Modeling technology in a plug-in. Like the hardware members of the Helix family of guitar processors—Helix Floor, Helix Rack, and Helix LT—the Helix Native plug-in features accurate recreations of vintage and modern amplifiers, speaker cabinets, microphones, and effects, as well as extensive signal-routing capabilities and an intuitive user interface. Not just for guitarists, the Helix Native plug-in is also ideal for producers and engineers, sound designers, film/TV/game composers, electronic musicians, and anyone else seeking to craft new and exciting sounds and special effects. And preset compatibility across the entire Helix family allows Helix hardware users to bring studio-created sounds to the stage by simply transferring their plug-in presets to their Helix Floor, Helix Rack, or Helix LT processors.
ECHOSON is the new weapon to unleash the creativity and bring to life new and original sounds. Many contemporary engineers use it on vocals, keyboards and drums to achieve a unique tone. ECHOSON, the revolutionary simulation of a legendary Drum Delay, originally manufactured by the Italian company Binson. ECHOSON goes beyond the mere simulation of the original unit, by adding features not available in the hardware. One of the main addition is the option to double the processor panel to have it working on a stereo pair of audio channels with cross-feedbacks between the channels. The original units have been manufactured in the ’60s and ’70s by an Italian company. They are currently in high demand thanks to their unique tone which adds a touch of personality to modern recordings.
In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s. It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today’s music production.
